Saturday, June 03, 2006

My Heavy Metal Enabler

A Tribute to The Man Who Rocked Me

I've often wondered how young people get into heavy metal music. After some thought, I've come up with an idea. I call it the enabler theory. In the jargon of counseling, an "enabler" is sometimes defined as one who allows others to progress in their unproductive patterns of behavior. If the heavy metal lifestyle isn't an unproductive pattern of behavior, I don't know what is!

My enabler was my cousin Vinnie Policastro. He's the fellow on the right in the picture below. That's Winger guitarist Reb Beach on the left.



In the late '80s and early '90s, Vinnie had a business called Ground Zero Custom Guitars. He had specially built the axe in the above photo for Reb Beach and gave it to him in the hopes of getting the guitarist to sign on as an endorsee. No such deal ever came of it.

Vinnie gave me my first guitar--a very cheap, nameless thing--and was really instrumental in aiding and abetting my heavy metal habit. He showed me how to play Black Sabbath's "Iron Man," the finger-tapping passage from Eddie Van Halen's "Eruption" guitar solo, some Yngwie Malmsteen stuff and more.

Though he was some 10-15 years older than me, he never minded me hanging out around him. I would frequently spend hours just absorbing the rock vibe in his bedroom in the basement of my grandfather's home in the working class town of Union, New Jersey. Vinnie was always very kind to me and for that I remember him fondly to this day.

Friday, May 26, 2006

Trews To Crack U.S. Market?


Legendary Aerosmith producer gives 'em a leg up

The Trews are a young Canadian band who've had a lot of success in the Great White North and are now hoping to crack the U.S. market. Their stateside debut album, Den of Thieves, is produced by Jack Douglas--the man behind the board for many of Aerosmith's classic albums. Incidentially, the band takes its name from traditional Scottish pants!

Thursday, May 18, 2006

Your Mama Don't Dance . . .

A number of hard-rock and metal acts have covered tunes from the '60s and '70s -- the era of music that's usually referred to as oldies. Below is a partial list of some instances of this. I've tried to avoid the more obvious ones like Poison's rendition of Loggins & Messina's "Your Mama Don't Dance" and Tesla's version of the Five Man Electrical Band's "Signs."


  • Megadeth's "These Boots" (originally recorded by Nancy Sinatra under the title "These Boots Are Made for Walkin'")
  • House of Lord's "Can't Find My Way Home" (originally recorded by Blind Faith)
  • Sanctuary's "White Rabbit" (originally recorded by Jefferson Airplane)



Monday, May 15, 2006

Sin After Sin . . .

Judas Priest's 1976 album, Sad Wings of Destiny, moves me in almost spiritual ways. Singer Rob Halford aptly captures the spirit of surrender in the hard-hitting cut "Genocide." His solemn intonation in the middle of the song -- "Sin after sin/ I have endured/ Yet the wounds I bear/ Are the wounds of love" -- evokes both Old Testament psalms and Shakespearean sonnet. I've often thought Gianlorenzo Bernini's sculpture The Ecstasy of St. Teresa pairs up nicely with the breakdown in "Genocide" and can really help to visualize the meaning of that particular lyric.



If you look closely at the work, you'll see the angel ready to pierce St. Teresa's heart as she writhes in ecstasy. Of course, there's a lot of erotic and sexual overtones to the image -- the same sort that can be imagined in Halford's vocals.

Saturday, May 13, 2006

Headbangers (Christmas) Ball: Give the Gift of Metal



While metal isn't typically associated with the holidays, some of your favorite rockers have recorded tunes with the yuletide in mind. Below is a partial list:

  • American Angel, "Best Part of Christmas" (from their EP '92 release)
  • King Diamond, "No Presents for Christmas" (from the No Presents for Christmas single)
  • Enuff Z'Nuff, "Happy Holiday" (from the Peach Fuzz CD)

Wednesday, May 10, 2006

The Ultimate Metal Mix . . .
Coming Soon